The sound of classic studio optical compression of the 60's and 70's at your feet! The first compressor pedal not to suck the life out of your tone.

A hybrid of vintage sound and state-of-the-art quality, the Demeter Tremulator designed for years of trouble-free operation. Designed to emulate the classic Fender tremolo effect (or vibrato as it is often referred to), the Tremulator features "lopsided" amplitude modulation with a rounded off triangular modulate waveform.

Operation is fairly straightforward. There are two inputs on the front side of the unit: a 1/4" input jack on the right and a1/4" output jack on the left. The battery-power switch is on the input Jack. There are four controls on the unit-Compress and Volume, plus a foot switch to bypass the effect, and an LED to indicate effect operation. On the side there is Boost switch and a trim pot to set the Boost gain of the unit. Attack: Sets the speed at which the Compressor will start gain reduction. The fastest setting is 1 millisecond, the slowest 100milliseconds. Release: Sets the time the Gain reduction will stay on. The fastest setting is 100 mil-liseconds, slowest 10 seconds. Compress: affects the amount of Gain reduction (compression) of the input signal. Turning this clock wise will give you up to 30dB of gain reduction (depending on input gain). Please note that the Compulators normal gain is 12dB. In the boost mode max gain is 24dB (SEE Trim Pot). In some circumstance if you instrument is very hot you could achieve less than unity gain if you turn up the compress knob too much. Volume: increases and decreases the output volume of the Compulator use this for level matching between the effected and unaf-fected signal. Volume increases and decreases the output volume of the Compulator. Use this for level matching between the affected and unaffected signal. Boost Switch: Turns on the preset gain weaker signals or for very heavey compres-sion.

TRM-2s: The ultimate Tremolo Pedal. The same analog Tremolo circuit found in our Classic mono Tremolo pedal but with added Stereo circuitry. You can get the same classic Tremulator tone with one amplifier. Or hook up two amplifiers for the sweeping, pulsing sound of stereo. With both phase and sync controls all sorts of cool stereo effects are possible. Designed to emulate the classic Fender tremolo effect (or vibrato as it is often referred to), the Stereo Tremulator features "lopsided" amplitude modulation with a rounded off triangular modulated waveform. In the stereo mode the super cool tone of a Magnatone Amplifierís Tremolo is reproduced. Operation is fairly straightforward. There is one 1/4" input and one 1/8î 9volt input on the Right side of the unit on the left side there is two 1/4î outputs A and B one for each amplifier. There are Three control knobs on the unit: Depth 1 which effects output A, Depth 2 which effects output B and Rate which controls the speed of the tremolo effect for both outputs. There are two switches Phase and Sync. Plus a footswitch to bypass the effect, and an LED to indicate effect operation. On the side there is a trim pots to set the bias for the optical units. Depth affects the amount of amplitude modulation on the signal or the amount of effect. The tremulator design incorporates a small amount of gain (approx. 1dB) to allow for proper "tremulation." Also, by turning the Depth all the way off, the TRM-2s will function as a low noise volume boost. Its low-impedance output allows it to act as a line-driver, eliminating signal loss on long cable runs. Rate increases and decreases the frequency of the low-frequency oscillator, enabling you to time the effect as desired. Sync and change the tremolo effect to be in sync between out puts A and B or out of sync.

"The Midboost/Fat Control came about when custumer wanted their single coil pick-ups to be fatter and louder but not shrill. After much research the Fat Control was born. Mostly used on-board, sometimes with my noise reduction system, the unit became popular with players and guitar manufacturers. After many requests it is now available as an effects pedal." - James Demeter The MB-2B Midboost/Fat Control boosts a wide mid-frequency range for a more distinct natural frequency boost than any other midboosts. The frequencies selected give your guitar the best response and sustain possible. The MB-2B Midboost/Fat Control used with a stratocaster (single coil) type pickup produces a sound very similar to the old Gibson P90 pickup. Used with humbucking type pickups, the sound is transformed into that of super humbucking pickups. The MB-2B Midboost/Fat Control produces the sound equivalent of adding 5,000 feet of wire to your pickup, and at a turn of the knob the MB-2B Midboost/Fat Control will respond by adding any amount of midboost you desire. There is one control on the unit: Flat/Fat, plus a foot switch to bypass the effect, and an LED to indicate effect operation. Flat/fat affects the midboost/buffer which includes a wide variable gain mid-frequency power booster control and a built-in low impedance buffer. Inputs/outputs: there is a 1/4" input jack on the right-hand side of the pedal, and a 1/4" output jack on the left-hand side, with a battery switch on the input jack.

Orchestral Piano Reduction

ntroducing the Demeter FUZ-1 Fuzzulator Fuzz Pedal, a different kind of distortion box. The Demeter FUZ-1 Fuzzulator Fuzz Pedal is the first fuzz box to use our innovative Tone Pre-Emphasis Circuit to control and enhance the proper frequencies to give the distorted sound focus, so that even with massive distortion your instrument will not be lost in the sonic mud. The Demeter FUZ-1 Fuzzulator Fuzz Pedal also features the exclusive tight/loose switch that switches between a tight sound, using LEDs as the distortion generator, or a looser sound, using our special combination of silicone and germanium diodes. As with all Demeter products, these units are hand built in the U.S.A. using the finest components available to insure many years of trouble free use. Demeter FUZ-1 Fuzzulator Fuzz Pedal Features There are three controls on the unit: fuzz, tone and volume, a mode switch to switch between tight or loose, plus a foot switch to bypass the effect, and an LED to indicate effect operation. On the side there is a trim pot to set the overall gain of the unit. Fuzz: increases the gain of the distortion circuit which increases the distortion and sustain of the unit. Tone: a high cut filter which you can use to make your sound warmer and fatter. Volume: this control sets the overall output of the unit. Use this for level matching between the effected and unaffected signal. Footswitch: a bypass type of switching is used for a more pure sound. An led indicates the unit is engaged. Tight/loose switch: this switches between light emitting diodes and germanium diodes for the distortion generating devices. LEDs have a tight sound and are a bit louder. Germanium diodes have a looser more classic fuzz sound with less output volume. Trim pot: sets the gain of the Fuzzulator's output amplifier. It is useful to turn it up if you are using the germanium diodes (loose) as your primary distortion setting. Or you can turn it down if the unit is too hot for your system.

The Uberdriveulator is a much cleaner drive circuit with more headroom and can operate in two modes the Loose mode is similar to the tight mode of the Standard Overdrive but with a bit more headroom and the tight mode which has even more clean headroom and much more output power. The unit has a Drive control that can turn up the gain of the drive circuit 100 times. A very wide range and musical sounding tone control and a volume control to keep the gain under control, can be used as a clean boost. Also included is a trim pot to set the output gain. This unit is True Bypass using an ALCO heavy duty Footswitch.

- BRAND NEW! - AUTH DEALER! - FREE US SHIPPING! - FREE PATCH CABLE INCLUDED! Get the classic Octave tone of the sixties without the noise and instability. Coupled with the killer tones of our Fuzzulator Pedal and you have a combination that guarantees some totally amazing sounds. Using a completely new analog circuit to generate the Octave Sound we have eliminated the problems found in older designs. It delivers a smooth, musical and usable sound through a much greater Harmonic range. Like all Demeter pedals we take Classic Pedal concepts and redesign them to make them Perfect. If you have any questions please feel free to contact us. Thanks for looking and ROCK ON!

Reverbulator the long waited Demeter Spring Reverb pedal has arrived. Very cool pedal with tons of control for total control of your verb sound ! Very easy to use, just plug in and put it on top of your amp or your pedalboard. This just arrived so they will be limited to start. Have a amp without reverb...not anymore !! Controls Input Gain: Controls the input sensitivity of the unit. The gain should be adjusted up to a level that will cause the overload light to blink occasionally, the overload light should never be on continually, Normal use will be gain up most of the way for guitar use and down most of the way for loop or line use. Blend: Mixes the amount of wet and dry signal should be set to user preferences. For line studio use it will usually be set 100% wet. Volume: Sets the output level. Use with the footswitch to match your effected and non effected signals. Phase: Changes the phase of the Long spring, effects the tonal colors especially when both springs are on. Spring Selector: Selects the reverb unit in use, either the short decay or both mixed. Foot Switch: Selects between the effected and un-effected signal going to the output. True bypass.