Fits: '59 Bassman, Blues Deville 410, Hot Rod Deville 410. Cover Dimensions: Height: 22.37", Width: 23.5", Depth: 10.5". Color: Brown

In early 1952, the Fender® Bassman® amplified a great new invention - the Fender Precision Bass® guitar. At 50 watts, it competed easily with the common instrumentation of the day: horns, piano, small drum kit, and maybe even an electric guitar through a new 10-watt amp. Through the ’60s and ’70s, the original all-tube tweed 4x10” Bassman® was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. In the ’90s, Fender released an affordable ’59 Bassman reissue amplifier to great acclaim. Many guitarists, tired of experimenting with preamps, equalizers and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The reissue Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency swirl make it perfect for building great tone with almost any guitar or effect, and it remains a staple of the Fender guitar amp line to this day.

Fender amps of the '50s and '60s are beloved and coveted by guitarists around the world. Thanks to BOSS' technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a pre-gain pedal placed before an already overdriven amp to add the tone character of the Bassman.-- Recreates the legendary tone of the 1959 Fender Bassman amp-- Additional BRIGHT IN provides a brighter sound, similar to the original Bassman-- Presence, Treble, Mid and Bass EQ controls-- Road-tough BOSS metal construction-- Perfect pre-gain pedal for adding or retaining Fender tone color.

This heavy-duty OSP ATA Road Tour Flight Case is designed for a Fender 59 Bassman Amplifier. This amp case is lined throughout with thick foam rubber. It is constructed of 3/8" marine grade plywood and has 4" casters (2 locking) for easy transport. Keep your valuable Fender amp protected with this professional road tour case from OSP.

Compatible with Boss FBM-1 FENDER '59 BASSMAN / FC-200 MIDI FOOT CONTROLLER Guitar Effects pedals.

Vintage style using only the finest tolex available.* Height: 22"* Width: 24"* Depth: 11"

The 50s Fender Bassman was the pro bassists answer to amplifying a great new invention: the Fender Precision Bass guitar. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp! By the 60s and 70s, the original all-tube Tweed 4x10 Bassman was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. Even some emerging British amp designers of the day copied its circuitry for use in their most celebrated designs.In the 1990s, Fender released an affordable reissue of the now-collectible 59 Bassman amplifier to massive acclaim. Many guitarists, tired of experimenting with preamps, equalizers, and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The Bassmans wide stage coverage, touch-sensitive dynamics and full-frequency swirl make it the perfect vehicle for building a great tone with almost any guitar or effect. The reissue Bassman continues to be a staple of the Fender guitar amp line to this day. The new 59 Bassman LTD is enhanced with: Genuine lacquered Tweed covering. Finger-joined pine cabinet for woody, resonant tone. Original spec 5AR4 rectifier tube for natural compression when playing hard. Internal bias pot makes it easier to experiment with various output tubes. Two GT-6L6 Groove Tube output tubes. Three improved 12AX7 preamp tubes. Fitted cover.

Fender's 24" barstool is perfect for sitting and pick'n. The foot band is the perfect height to rest your foot on so you can rest your guitar on your knee.

The Fender Champ amp of the late 1950s is well known as the small-but-mighty tone machine that belongs in every serious guitarists collection. The release of the '57 Champ adds this iconic, one-of-a-kind product to Fender's '57 Tweed Series.The tweed Champ is a terrific practice amp, and has been a prized possession of countless pro players for its great sounding, low-output, easy-to-record capabilities. It's well documented that this model has been used on recordings by Johnny Cash, Keith Richards and Eric Clapton (its the Layla amp). And with its rich tone and touch-sensitive response, the Champ is great for making cool new music today. This faithful hand-wired recreation of the 1957 Champ amp is not just for collectors or retro-minded guitarists. Any player seeking the ultimate in low-powered, top-quality tube performance need look no further!Leather Strap HandleChrome Control PanelBlack Vintage Pointer KnobToggle On/Off SwitchRed Jeweled Pilot LightFinger-Jointed Solid Pine CabinetHand-Wired 5F1 Circuit

The venerable Vibro-King® amp has appeared on countless stages worldwide! This all-tube, completely hand-wired combo amp with birch ply cabinet is covered in black with the appealing "1964 Transitional" Blackface™/White knob look. We've added a pair of powerful 6L6 Groove Tubes® for rich, full tone. The 60 watt Vibro-King® Custom has unparalleled sensitivity to pick dynamics and guitar knob settings, and its crystal-clean tones, sparkling reverb and commanding overdriven tones are downright inspiring. Other premium features include: '63 Fender Reverb® with dwell, mix and tone controls; three 10" Jensen® P10R speakers with alnico magnets; 6V6 reverb driver tube; five 12AX7 preamp tubes; heavy-duty textured black vinyl covering with silver grille cloth and nickel hardware; FX loop; and a two-button FAT boost/vibrato footswitch.

The Custom Vibrolux Reverb is more a modern interpretation of a classic Fender rather than a reissue; connoisseurs call it a "little Vibro-King." Turn it up when you want to soar, or turn your guitar down to play clean with this super-responsive 40-watt all-tube amp. The more dynamic your style, the more you'll love its ability to whisper or scream in response to changes in your pick attack. Features include dual 6L6 Groove Tubes output tubes, five 12AX7 preamp tubes, one 12AT7 tube, two 10" 8-ohm Jensen P10R speakers with alnico magnets, two independent channels (normal and bright), reverb and vibrato (both channels), 4-ohm external speaker jack, two-button footswitch and tilt-back legs.

This all-tube combo amp has hand-wired circuitry; we've even reproduced the 1955-57 edition 'low powered' 5E8A circuit, which puts 40 watts into a pair of 12" alnico-magnet speakers. Power comes from a pair of GT6L6 output tubes and Fender's rarely seen mid-'50s dual rectifier arrangement (using 5U4 rectifier tubes). With this design, power amp compression or "sag" is more subtle than in many Fender tweed designs. The Twin's preamp contains four high-gain 12AX7 tubes, three of which may be substituted with 12AY7s for the original '50s low-gain sound. An internal bias pot allows easy substitution of various 6L6 types. Control panel details include normal and bright volumes, four inputs (two normal; two bright), treble, bass and presence knobs.

Now you can enjoy the classic style and killer performance of the famous Epiphone SG-Special Electric Guitar without destroying your budget. Features include two open-coil humbuckers, LockTone Tune-O-Matic bridge and stopbar tailpiece for more sustain and easier string changing, chrome hardware, and rosewood fingerboard. Limited lifetime warranty.

Now everyone can own a real SG shape! The SG Special from Epiphone features twin open-coil Humbucker pickups, the Tune-o-matic bridge/Stopbar tailpiece combo for maximum sustain and a fully-carved SG body for devilish good looks. Devilish good looks. Twin open-coil humbuckers and the industry-standard Tune-O-Matic bridge. Rosewood fretboard with dot inlays. Angled Headstock Unlike cheaper designs, all Epiphones feature a 14-degree headstock that gives you more pressure at the nut and so you get more sustain with less tuning hang-ups caused by "string-tree" gadgets. Double-Waxed Pickups Epiphone utilizes a double vacuum waxing process that ensures optimum performance. The pickup is first placed in the specialized wax vacuuming system before the cover is put in place to ensure that the wax fully penetrates to the very center of the pickup and solidifies all parts. After the cover is placed on, it is again given a second vacuum wax bath until the unit is completely saturated with wax. Output Jack To increase reliability and ensure consistent performance, Epiphone's proprietary output jacks feature an improved contact shape and heavy-duty spring steel. Toggle Switches All Epiphones feature our all-metal, USA designed switches for reliable contact and longer life. Tunomatic Bridge Fully adjustable, the tunomatic remains a classic after over 50 years. Unlike guitars fitted with tremolos, there are no tuning or re-stringing difficulties. Plus, tone and sustain are improved because all string vibrations are transferred directly to the guitar. Potentiometers Epiphone is passionate about performance. That's why their instruments use one-inch diameter potentiometers for better "throw," longer life and reliable service. Quick-Connectors For unequalled reliability as well as ease of service, Epiphone wiring harnesses feature quick-connectors. Specs Pickups: Two open-coil humbuckers Hardware: Chrome Scale: 24.75 inches Nut width: 1.68 inches Neck: Bolt, Maple Fretboard: Rosewood Inlays: Dot Body material: Laminated Alder/Maple Tailpiece: Stopbar Finishes available: Cherry, Ebony

The Line 6 Pocket POD guitar effects processor is about the size of a hand-held tuner. Yet it's the only personal amp modeling and effects processor packed with over 300 custom presets dialed in by rock stars and professional studio musicians who know great tone. With its 32 classic and modern amp models, 16 cab models, and 16 effects, Pocket POD enables you to create mind-blowing guitar tones wherever inspiration strikes.Just pop in 4 AAA batteries and you are good to go practicing with headphones or jamming with your favorite songs on your MP3 player. Let loose and play it loud with Pocket POD as your multi-effect processor in front of any amp. With Line 6's advanced A.I.R. II technology, you can even use Pocket POD guitar effect as a front-end recording device with the same tone used on countless platinum-selling albums.The Line 6 Pocket POD has a user-friendly design that makes it simple to dial in the tone you're looking for. To customize your sound even more, plug Pocket POD directly into your computer via USB and download the FREE Pocket POD tone editing software from Line6.com. Take your sound to the next level with the Pocket POD processor by connecting to CustomTone.com, the online destination for guitarists. There you can choose from a library of over 3,000 preset tones, create new tones, and share them with guitarists from around the globe. Experience world-class tone in the palm of your hand at an unbeatable price. Make your sound your own.

Pocket POD exhibits all the celebrated features and pro tone that makes POD a standard in recording studios everywhere. Don't be fooled by the smaller package, Pocket POD is packed with over 300 custom presets dialed in by some of today's hottest rock stars like Maroon 5, P.O.D., 311, Hoobastank and many more. Battery-powered and about the size of a tuner, Pocket POD is completely portable. Use it for effects in front of your amp, or just plug in headphones and practice anywhere, anytime. Connect to any computer via USB, then download the free Vyzex software and "deep dive" into all your tone details to create your own custom tone, or manage your own personal tone library right on your desktop. Or visit CustomTone.com to download any of the 3,000 free presets created by guitarists from around the world. Amps and Cabs Pocket POD® comes packed with 32 classic and modern amp models, along with 16 cab models, letting you create mind-blowing guitar tones wherever inspiration strikes. Our A.I.R.™ modeling technology accurately captures the tone and feel of speaker cabinets, microphones, and studio room characteristics. Mix and match speaker cabinets and microphones to find the precise vibe you're looking for. Amp Models based on*: ’64 Fender® Deluxe Reverb® ’59 Fender® Bassman® ’68 Marshall® Plexi 100 watt Marshall® JTM-45 meets Budda Twinmaster ’60 Tweed Fender® Champ® Budda Twinmaster head ’65 Blackface Fender® Twin Reverb® ’60 Vox® AC 15 ’60 Vox® AC 30 non-Top Boost ’85 Mesa/Boogie® Mark IIc+ Clean Channel ’85 Mesa/Boogie® Mark IIc+ Drive Channel Dumble® Overdrive Special Clean Channel ’95 Mesa/Boogie® Dual Rectifier® Head ’89 Soldano SLO Super Lead Overdrive Dumble® Overdrive Special Drive Channel 1987 Roland® JC-120 Jazz Chorus Line 6® Insane Cabinet Models based on*: 1960 Fender® Tweed Champ® 1952 Fender® Tweed Deluxe Reverb® 1960 Vox® AC-15 1964 Fender® Deluxe Reverb® 1965 Fender® Blackface Twin Reverb® 1967 Vox® AC-30 1995 Matchless Chieftain 1959 Fender® Bassman® 1996 Marshall® with Vintage 30s 1978 Marshall® with stock 70s 1968 Marshall® Basketweave with Greenbacks Line 6® 4x12 Line 6® 1x12 Line 6® 2x12 Line 6® 4x10 Effects Pocket POD® may be smaller than most stompboxes, yet it comes packed with 16 professionally designed effects models allowing for a wide variety of personal tonal character. Tweaking effects is easy with the bright LCD interface and easy to use knobs and buttons. Download the free Vyzex editing software at Line6.com to "deep dive" and fine-tune each detail of your own custom tone. Multiple versions of effects give you rack or stompbox options, and the combination effects give you classic setups like Delay and Chorus simultaneously. Pocket POD Effects: Compressor Tremolo Chorus 1 Chorus 2 Flanger 1 Flanger 2 Rotary Speaker Delay Delay/Compressor Delay/Tremolo Delay/Chorus 1 Delay/Chorus 2 Delay/Flanger1 Delay/Flanger2 Delay/Swell Reverb Ins and Outs Connect your Pocket POD® directly into your amp or PA system, and transform your sound with perfect tone and all the amp modeling and effects only found on POD. The headphone jack out allows you to practice anywhere without disturbing the neighbors, and the CD/MP3 jack gets you jamming along with your favorite bands. Practice anywhere! Pocket POD runs off 4 AAA batteries. A 9V DC power plug is great for when you're not on the go. 5" long by 3 1/2" wide by 2" deep, and weighs in at a mere 6 oz, Pocket POD is your completely portable multi-effects solution. Pocket POD comes with a USB to USB Mini cable connection. "Deep dive" into all your tone details using the Vyzex software. Create your own custom tone or manage your personal tone library right on your desktop. (Pocket POD is a class compliant USB MIDI device. You will not be able to directly record over a USB connection.) * All product names used in this webpage are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development.

The Fender '57 Deluxe Combo Amp is a 12W hand-wired tube amplifier with a 12" speaker. Super cool and timeless, the lower settings of the "chicken head" volume control result in harmonically rich clean sound perfect for authentic vintage rock, blues, and country playing; when cranked up, the Deluxe amp's fat, compressed, wildly distorted tone is not only inspiring, but just plain fun. It also records easily, thanks to all that natural compression. American design, American made! Guitarists who want a moderately powered tube amp for home, studio, or small gigs will fall in love with the '57 Deluxe; tube amp enthusiasts who appreciate the unique qualities of hand-wired, hand-built models and Fender fans & collectors will consider the '57 Deluxe a must-have! The original Fender Deluxe amp of the 1950s was a medium-powered unit designed to let guitarists "hold their own" in a small group. As blues, Western, and rockabilly bands began getting louder and wilder, the overdriven tone of a cranked-up Deluxe found its way onto countless smokin' hot live and recorded performances. Over the past five decades, from Memphis to Liverpool to Texas, players of every conceivable style have employed this awesome tone machine for its unmistakable warm, rich tube tone. Original late '50s hand-wired 12W 5E3 circuit is one of the most touch-sensitive, dynamic amp sounds of all time; manageable volume level for studio or small venue; natural compression adds sustain, even at clean settings. Solid pine cabinet gives the tone a warm, natural wood resonance. Groove Tubes 12AX7 preamp tubes provide sensitive, higher-gain tone; user may install a 12AY7 for the original lower-gain sound, if desired. Jensen P-12Q Alnico-magnet speaker is the same model as used in many of the originals; sounds nice and sparkly clean, then "barks" when you hit it hard.

Dean's EVO XM is a perfect blend of vintage design, old world craftsmanship, and decades of guitar building technology. This affordable yet stylish member of that family has a lightweight basswood body in a mahogany stain for a "high-end" look, making it ideal for the beginning guitarist who wants an attractive model as their first guitar. Vendetta XMT at a Glance Body wood: Basswood Neck Construction: Bolt-on Neck wood: Maple Fretboard: Rosewood Inlays: Pearl dot Frets: 22 Scale: 24 3/4" Bridge: Tune-O-Matic Pickups: Dual Dean Humbuckers Tuners: Sealed Hardware: Black Finish: Mahogany Features a Tune-O-Matic bridge and Dual Dean humbuckers. Dean sealed tuners keep you in tune longer. The Dean EVO Series: Evolved from Vintage Origins The EVO is a perfect blend of vintage design, old world craftsmanship and decades of guitar building technology. The Dean EVO is truly the "Evolution of Guitar Design" at its finest. With a deep dished, carved, ultra-thick solid wood top, the EVO achieves incredible sustain and astonishing tones. The EVO also features a neck joined at the body with Dean's exclusive angular neck joint, which was specially designed to attain the optimum in playability and ultimate resonance. Basswood Body Basswood is commonly used for solid body electric guitars and basses because of its strong and durable character, desirable tonal characteristics, and how well it takes paint finishes. Basswood has a warm sound, with a strong, cutting mid-range and is an excellent tonal material for both beginner and advanced players. Bolt-On Construction The EVO XM uses bolt-on construction, an affordable alternative to set-neck or thru-body designs. The advantage of this design is that if you do have any neck trouble down the line, you can easily replace it. The maple neck features an ultra-playable 24-fret rosewood fingerboard, with classic pearl dot inlays.

This is the first guitar you can play in your car. This guitar plays through the stereo of any 2006 and newer Jetta, Beetle, Rabbit and GTI. This could be a collector's item. For additional information go to vdubsrock . com

This all-tube combo amp has hand-wired circuitry; we've even reproduced the 1955-57 edition 'low powered' 5E8A circuit, which puts 40 watts into a pair of 12" alnico-magnet speakers. Power comes from a pair of GT6L6 output tubes and Fender's rarely seen mid-'50s dual rectifier arrangement (using 5U4 rectifier tubes). With this design, power amp compression or "sag" is more subtle than in many Fender tweed designs. The Twin's preamp contains four high-gain 12AX7 tubes, three of which may be substituted with 12AY7s for the original '50s low-gain sound. An internal bias pot allows easy substitution of various 6L6 types. Control panel details include normal and bright volumes, four inputs (two normal; two bright), treble, bass and presence knobs.

The Fender '57 Deluxe Combo Amp is a 12W hand-wired tube amplifier with a 12" speaker. Super cool and timeless, the lower settings of the "chicken head" volume control result in harmonically rich clean sound perfect for authentic vintage rock, blues, and country playing; when cranked up, the Deluxe amp's fat, compressed, wildly distorted tone is not only inspiring, but just plain fun. It also records easily, thanks to all that natural compression. American design, American made! Guitarists who want a moderately powered tube amp for home, studio, or small gigs will fall in love with the '57 Deluxe; tube amp enthusiasts who appreciate the unique qualities of hand-wired, hand-built models and Fender fans & collectors will consider the '57 Deluxe a must-have! The original Fender Deluxe amp of the 1950s was a medium-powered unit designed to let guitarists "hold their own" in a small group. As blues, Western, and rockabilly bands began getting louder and wilder, the overdriven tone of a cranked-up Deluxe found its way onto countless smokin' hot live and recorded performances. Over the past five decades, from Memphis to Liverpool to Texas, players of every conceivable style have employed this awesome tone machine for its unmistakable warm, rich tube tone. Original late '50s hand-wired 12W 5E3 circuit is one of the most touch-sensitive, dynamic amp sounds of all time; manageable volume level for studio or small venue; natural compression adds sustain, even at clean settings. Solid pine cabinet gives the tone a warm, natural wood resonance. Groove Tubes 12AX7 preamp tubes provide sensitive, higher-gain tone; user may install a 12AY7 for the original lower-gain sound, if desired. Jensen P-12Q Alnico-magnet speaker is the same model as used in many of the originals; sounds nice and sparkly clean, then "barks" when you hit it hard.