Fender amps of the '50s and '60s are beloved and coveted by guitarists around the world. Thanks to BOSS' technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a pre-gain pedal placed before an already overdriven amp to add the tone character of the Bassman.-- Recreates the legendary tone of the 1959 Fender Bassman amp-- Additional BRIGHT IN provides a brighter sound, similar to the original Bassman-- Presence, Treble, Mid and Bass EQ controls-- Road-tough BOSS metal construction-- Perfect pre-gain pedal for adding or retaining Fender tone color.

Vintage style using only the finest tolex available.* Height: 22"* Width: 24"* Depth: 11"

In early 1952, the Fender® Bassman® amplified a great new invention - the Fender Precision Bass® guitar. At 50 watts, it competed easily with the common instrumentation of the day: horns, piano, small drum kit, and maybe even an electric guitar through a new 10-watt amp. Through the ’60s and ’70s, the original all-tube tweed 4x10” Bassman® was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. In the ’90s, Fender released an affordable ’59 Bassman reissue amplifier to great acclaim. Many guitarists, tired of experimenting with preamps, equalizers and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The reissue Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency swirl make it perfect for building great tone with almost any guitar or effect, and it remains a staple of the Fender guitar amp line to this day.

Fits: '59 Bassman, Blues Deville 410, Hot Rod Deville 410. Cover Dimensions: Height: 22.37", Width: 23.5", Depth: 10.5". Color: Brown

Fender amps of the 50s and 60s are beloved and coveted by guitarists around the world. Thanks to BOSS technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a pre-gain pedal placed before an already overdriven amp to add the tone character of the Bassman. Recreates the legendary tone of the 1959 Fender Bassman amp Additional BRIGHT IN provides a brighter sound, similar to the original Bassman Presence, Treble, Mid and Bass EQ controls Road-tough BOSS metal construction Perfect pre-gain pedal for adding or retaining Fender tone color

This heavy-duty OSP ATA Road Tour Flight Case is designed for a Fender 59 Bassman Amplifier. This amp case is lined throughout with thick foam rubber. It is constructed of 3/8" marine grade plywood and has 4" casters (2 locking) for easy transport. Keep your valuable Fender amp protected with this professional road tour case from OSP.

Compatible with Boss FBM-1 FENDER '59 BASSMAN / FC-200 MIDI FOOT CONTROLLER Guitar Effects pedals.

Perfect for noodling around on your guitar in your bedroom or hotel room, the Fender Mini Deluxe Amp provides just enough juice to get a feel for your jam session and is nicely portable. The single 8 ohm, 2-inch speaker pumps out one-watt of power, and it requires just a single 9-volt battery. The Mini Deluxe also includes a headphone jack for private playback, as well as control knobs for volume, tone, and drive.

The 50s Fender Bassman was the pro bassists answer to amplifying a great new invention: the Fender Precision Bass guitar. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp! By the 60s and 70s, the original all-tube Tweed 4x10 Bassman was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. Even some emerging British amp designers of the day copied its circuitry for use in their most celebrated designs.In the 1990s, Fender released an affordable reissue of the now-collectible 59 Bassman amplifier to massive acclaim. Many guitarists, tired of experimenting with preamps, equalizers, and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The Bassmans wide stage coverage, touch-sensitive dynamics and full-frequency swirl make it the perfect vehicle for building a great tone with almost any guitar or effect. The reissue Bassman continues to be a staple of the Fender guitar amp line to this day. The new 59 Bassman LTD is enhanced with: Genuine lacquered Tweed covering. Finger-joined pine cabinet for woody, resonant tone. Original spec 5AR4 rectifier tube for natural compression when playing hard. Internal bias pot makes it easier to experiment with various output tubes. Two GT-6L6 Groove Tube output tubes. Three improved 12AX7 preamp tubes. Fitted cover.

The Custom Vibrolux Reverb is more a modern interpretation of a classic Fender rather than a reissue; connoisseurs call it a "little Vibro-King." Turn it up when you want to soar, or turn your guitar down to play clean with this super-responsive 40-watt all-tube amp. The more dynamic your style, the more you'll love its ability to whisper or scream in response to changes in your pick attack. Features include dual 6L6 Groove Tubes output tubes, five 12AX7 preamp tubes, one 12AT7 tube, two 10" 8-ohm Jensen P10R speakers with alnico magnets, two independent channels (normal and bright), reverb and vibrato (both channels), 4-ohm external speaker jack, two-button footswitch and tilt-back legs.

This Custom Shop stool is INSANE! One of our best selling designs is now a Custom Shop barstool. This premium quality Fender® barstool is constructed from a heavy gauge 1" tubular steel frame with a lustrous chrome plated finish. The thick foam padded seat top consists of commercial grade vinyl and displays our Custom Shop Spade logo. The seat also rotates on a 360 degree revolving swivel. Some assembly is required. Available in 24" and 30" heights.

The venerable Vibro-King® amp has appeared on countless stages worldwide! This all-tube, completely hand-wired combo amp with birch ply cabinet is covered in black with the appealing "1964 Transitional" Blackface™/White knob look. We've added a pair of powerful 6L6 Groove Tubes® for rich, full tone. The 60 watt Vibro-King® Custom has unparalleled sensitivity to pick dynamics and guitar knob settings, and its crystal-clean tones, sparkling reverb and commanding overdriven tones are downright inspiring. Other premium features include: '63 Fender Reverb® with dwell, mix and tone controls; three 10" Jensen® P10R speakers with alnico magnets; 6V6 reverb driver tube; five 12AX7 preamp tubes; heavy-duty textured black vinyl covering with silver grille cloth and nickel hardware; FX loop; and a two-button FAT boost/vibrato footswitch.

Dressed in classic two-tone vinyl, running on one power and one preamp valve and featuring bone-simple controls, the BUGERA V5 looks like a carefully constructed nostalgia trip. In fact, in many ways, it is! But plug into this beautiful little amp and you’ll not only find a sound that’s caked in real vintage raunch, but also modern features that take this sound to places it couldn’t go—until now. Big Sound, Small Package Rock music brings to mind amplifiers as big as skyscrapers, dishing out irreversible ear damage at ruthless volumes. But a studio secret among guitar greats is that little low-watt valve combos like the V5 can be maxed out for red-hot overdriven tone without blowing fuses or incurring any property damage. The V5 is a living, breathing homage to those half-pint screamers of the past, but with two very important improvements. See, this amp may be small, but 5 watts in Valvesville is still loud as hell when it’s sitting in your bedroom. That’s why the V5 features a switchable power attenuator that allows you to run 5, 1 or 0.1 Watts. An attenuator reduces the amplitude of a signal without changing its sound. That means you can still drive the valves into banshee-league fury, but without waking up the neighbors. Finding a headphone out jack on an all-valve guitar amp is incredibly rare because the integration requires loading the output transformer and filtering the signal for a loudspeaker simulation. (Translation: it’s a pain in the ass!) But in true BUGERA fashion, we’ve gone the extra mile to allow you some late night practicing. Just plug in a pair of headphones to the 1/4" phones jack on the back panel, and you’re ready to keep the V5’s all-valve sound all to yourself. Then again, if it’s more volume you need, the V5 has a 1/4" Speaker Out jack that allows you to connect an additional speaker with a minimum impedance of 4 Ohms. This dangerous dandy also features the same studio-caliber digital reverb found in its bigger BUGERA brothers. The spring reverb found in the V5’s post-war predecessors sounds lovely, but is delicate and expensive to repair. The V5’s modern update gives you an equally mesmerizing vintage reverb sound without the wallet-draining vintage reliability. Little Wonder With the V5 in your home or studio, your tonal woes are over. It bears the true sound of an antique 5W valve amp, it’s built to survive abuse, and its price tag is tons lighter than the ones you’ ll find tied to its elders. Adopt a V5 today and get ready to pack 60 years of sonic inspiration into your recording or practice sessions. Features Hand-built 5-Watt Class-A amplifier driven by 1 x EL84 valve Way cool vintage look and feel Original 8" BUGERA guitar speaker for true vintage sound Authentic preamp design from the '60s featuring 1 x 12AX7 valve—everything from purring blues to mind-blowing crunch Integrated high-class reverb with dedicated Reverb control Vintage Equalizer with dedicated Tone control Built-in 2-way Power Attenuator allows you to get ultimate sound at any volume High-quality components and exceptionally rugged construction ensure long life

This all-tube combo amp has hand-wired circuitry; we've even reproduced the 1955-57 edition 'low powered' 5E8A circuit, which puts 40 watts into a pair of 12" alnico-magnet speakers. Power comes from a pair of GT6L6 output tubes and Fender's rarely seen mid-'50s dual rectifier arrangement (using 5U4 rectifier tubes). With this design, power amp compression or "sag" is more subtle than in many Fender tweed designs. The Twin's preamp contains four high-gain 12AX7 tubes, three of which may be substituted with 12AY7s for the original '50s low-gain sound. An internal bias pot allows easy substitution of various 6L6 types. Control panel details include normal and bright volumes, four inputs (two normal; two bright), treble, bass and presence knobs.

Dean's EVO XM is a perfect blend of vintage design, old world craftsmanship, and decades of guitar building technology. This affordable yet stylish member of that family has a lightweight basswood body in a mahogany stain for a "high-end" look, making it ideal for the beginning guitarist who wants an attractive model as their first guitar. Vendetta XMT at a Glance Body wood: Basswood Neck Construction: Bolt-on Neck wood: Maple Fretboard: Rosewood Inlays: Pearl dot Frets: 22 Scale: 24 3/4" Bridge: Tune-O-Matic Pickups: Dual Dean Humbuckers Tuners: Sealed Hardware: Black Finish: Mahogany Features a Tune-O-Matic bridge and Dual Dean humbuckers. Dean sealed tuners keep you in tune longer. The Dean EVO Series: Evolved from Vintage Origins The EVO is a perfect blend of vintage design, old world craftsmanship and decades of guitar building technology. The Dean EVO is truly the "Evolution of Guitar Design" at its finest. With a deep dished, carved, ultra-thick solid wood top, the EVO achieves incredible sustain and astonishing tones. The EVO also features a neck joined at the body with Dean's exclusive angular neck joint, which was specially designed to attain the optimum in playability and ultimate resonance. Basswood Body Basswood is commonly used for solid body electric guitars and basses because of its strong and durable character, desirable tonal characteristics, and how well it takes paint finishes. Basswood has a warm sound, with a strong, cutting mid-range and is an excellent tonal material for both beginner and advanced players. Bolt-On Construction The EVO XM uses bolt-on construction, an affordable alternative to set-neck or thru-body designs. The advantage of this design is that if you do have any neck trouble down the line, you can easily replace it. The maple neck features an ultra-playable 24-fret rosewood fingerboard, with classic pearl dot inlays.

This plain top Epiphone Les Paul Standard is an electric guitar that delivers all the signature sound of a Gibson Les Paul at a fraction of the cost. The mahogany body provides superb resonance while the Alnico Classic humbucker pickups deliver loads of warmth. The set mahogany neck with slim-tapered profile and rosewood fretboard give you the familiar feel and fast action that Les Paul players love so dearly. Neck and body binding and trapezoid inlays produce the classic look seen on stages around the world for decades. The LockTone Tune-O-Matic bridge and stopbar tailpiece provide more sustain and string changing easier.

Now you can enjoy the classic style and killer performance of the famous Epiphone SG-Special Electric Guitar without destroying your budget. Features include two open-coil humbuckers, LockTone Tune-O-Matic bridge and stopbar tailpiece for more sustain and easier string changing, chrome hardware, and rosewood fingerboard. Limited lifetime warranty.

Now everyone can own a real SG shape! The SG Special from Epiphone features twin open-coil Humbucker pickups, the Tune-o-matic bridge/Stopbar tailpiece combo for maximum sustain and a fully-carved SG body for devilish good looks. Devilish good looks. Twin open-coil humbuckers and the industry-standard Tune-O-Matic bridge. Rosewood fretboard with dot inlays. Angled Headstock Unlike cheaper designs, all Epiphones feature a 14-degree headstock that gives you more pressure at the nut and so you get more sustain with less tuning hang-ups caused by "string-tree" gadgets. Double-Waxed Pickups Epiphone utilizes a double vacuum waxing process that ensures optimum performance. The pickup is first placed in the specialized wax vacuuming system before the cover is put in place to ensure that the wax fully penetrates to the very center of the pickup and solidifies all parts. After the cover is placed on, it is again given a second vacuum wax bath until the unit is completely saturated with wax. Output Jack To increase reliability and ensure consistent performance, Epiphone's proprietary output jacks feature an improved contact shape and heavy-duty spring steel. Toggle Switches All Epiphones feature our all-metal, USA designed switches for reliable contact and longer life. Tunomatic Bridge Fully adjustable, the tunomatic remains a classic after over 50 years. Unlike guitars fitted with tremolos, there are no tuning or re-stringing difficulties. Plus, tone and sustain are improved because all string vibrations are transferred directly to the guitar. Potentiometers Epiphone is passionate about performance. That's why their instruments use one-inch diameter potentiometers for better "throw," longer life and reliable service. Quick-Connectors For unequalled reliability as well as ease of service, Epiphone wiring harnesses feature quick-connectors. Specs Pickups: Two open-coil humbuckers Hardware: Chrome Scale: 24.75 inches Nut width: 1.68 inches Neck: Bolt, Maple Fretboard: Rosewood Inlays: Dot Body material: Laminated Alder/Maple Tailpiece: Stopbar Finishes available: Cherry, Ebony

This all-tube combo amp has hand-wired circuitry; we've even reproduced the 1955-57 edition 'low powered' 5E8A circuit, which puts 40 watts into a pair of 12" alnico-magnet speakers. Power comes from a pair of GT6L6 output tubes and Fender's rarely seen mid-'50s dual rectifier arrangement (using 5U4 rectifier tubes). With this design, power amp compression or "sag" is more subtle than in many Fender tweed designs. The Twin's preamp contains four high-gain 12AX7 tubes, three of which may be substituted with 12AY7s for the original '50s low-gain sound. An internal bias pot allows easy substitution of various 6L6 types. Control panel details include normal and bright volumes, four inputs (two normal; two bright), treble, bass and presence knobs.