NEW!!! NOW STANDARD WITH ADDITIONAL FUZZ CONTROL ON THE OUTSIDE! Call in the Army, the Navy, Scottland Yard, your Mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill all circuit explodes the meanest, nastiest, balls out distortion to make you the ruler of the fuzz universe. This Death By Audio pedal has all the corners cut on the graphix but not on the components and sound. This gives you a high-tech fuzz mutilator at an affordable price. Now with three knobs it can create a multitude of ultimate fuzz, boost, overdrive, distortion sounds. Listen for yourself and you will see, this is the thickest sounding sustaining fuzz pedal we have ever heard. CONTROLS: VOLUME - (The little ramp graphic) Controls the overall output volume of the pedal. FUZZ - Controls the drive or gain of the fuzz circuit. At it's lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it sweeps from a booster to an overdrive to a thick distortion to a full on blown out war of fuzz. TONE - A specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs.

Throw away your Tube Screamer. Truck loads of sweet creamy overdrive have arrived. The more you turn it up the better it sounds. The Interstellar Overdriver is a real overdrive pedal blasting your amp with your sound. The knob works giving a slight boost all the way counterclockwise to a beautiful harmonically rich overdrive maxed out. It is designed to work the same way as old tube amps - the more you turn it up, the better it sounds. For more control kick back the output volume with the MASTER knob while keeping the sweetness.

It has 5 different distortion circuits, ranging from a thin metal distortion, to octave fuzz to blown out end of the world distortion. It's one of the most intense, varied fuzz pedals we've ever heard. Perfect for anyone in need of the ultimate distortion pedal.

The Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings what-so-ever. It is completely synthetic and transforms any input into a spuree of resynthesized robot jargon. THE CONTROL KNOB: The control knob is located on the right hand side of the pedal. The knob controls the pitch of the effect in NORMAL, OCTAVE DOWN, and OCTAVE UP modes. When in ARPEGGIATOR mode it adjusts the speed of the arpeggiation. MODES OF OPERATION: NORMAL: Same pitch with 8 bit digital conversion with the CONTROL KNOB fully clockwise. Turning the CONTROL KNOB down bends the pitch down. OCTAVE DOWN: The CONTROL KNOB turned fully clockwise yields a nasty octave down sound. Turning the CONTROL KNOB down bends the pitch further down. OCTAVE UP: The CONTROL KNOB turned fully clockwise yields a nasty octave up sound. Turning the CONTROL KNOB down bends the pitch down. ARPEGGIATOR: The pitch arpeggiates in a sequence. The CONTROL KNOB adjusts the speed of the arpeggiation.

Death by Audio Supersonic Fuzz Gun The Death by Audio Supersonic Fuzz Gun was designed to go from extremely warm, rich fuzz to the harshest, grating buzzsaw tones you could imagine. Equipped with a Gate/Oscillation mode switch the Supersonic Fuzz Gun works in two separate modes. The Oscillation mode keeps oscillation tones going whether you're playing or not for all out sonic mayhem. Gate mode is perfect for muted, gated fuzz. The Death by Audio Supersonic Fuzz Gun features controls for Bias, Density, Fuzz, Filter, and Level. The Density control affects the frequency range going into the pedal. Bias controls the overall tone of the fuzz. The Filter control filters out the high frequencies taking away the harsh grind and warming up the effect. Check out the Death by Audio Supersonic Fuzz Gun, but be warned...your wife will leave you. Death by Audio Supersonic Fuzz Gun Features: ? True Bypass ? Gate or Oscillation Mode ? Bias Control ? Density Control ? Filter Control

The Death By Audio Echo Dream Delay is a unique and welcome addition to the world of delay pedals. The Echo Dream features basic delay controls (feedback, delay time and delay mix) as well as a versatile modulation section. The Echo Dream's modulation goes from dreamy sway to glitched out bleeps and bloops. The Death By Audio Echo Dream departs from the path often treaded by other modern delays with the inclusion of a fuzz section. With options for no fuzz, fuzz and a lighter diode clipping, the user can add another dimension to the delayed signal yieleding some truly thick and overwhelming tones.

Intermodulate your sound and unleash ringing raging fuzz on the world. Super big, super vicous and super intense. A huge pedal with a huge sound. Complete with enough alien noises to freak out your listeners. Direct crazy intermodulating distortion to make unique music with. The Harmonic Transformer is an extremely loud and intense fuzz pedal which is very interactive with the incoming signal ranging from over the top to bizzare.

THE OCTAVE CLANG CLANG + OCTAVE Explore the galaxy of octavia, octave fuzz, clang, ring modulation, and sitar drone sounds. The OCTAVE CLANG is an octave up effect which uses a special selected transformer and matched Germanium Diodes to create it's rich and pure analog octave up sound. The gain control on the OCTAVE CLANG is balistic and can make your guitar the most evil weapon known to man. The gain ranges from nice harmonicly rich clang sounds to an onslaught of abraisive fuzz. Playing chords with the gain turned down brings out bizarre dischordant drones and complex overtones. This pedal also gets freaking LOUD! with the volume maxed out, like every good pedal should, so you don't have to worry about your octave sound dropping your volume. This is an absolute crazy octave pedal. The sounds are lush and destructive and new. This is not Jimi Hendrix in a box although I bet if he were playing today he would be trying to stretch the envelope of guitar sounds and use the OCTAVE CLANG! Bang! Bang! Wow!

stomp on the switch and destroy the world! create your own totally unique sounds and atmospheres the only effect pedals are overdrive, reverb, delay, flange, chorus and tremelo right? wrong. this is a totally unique effects pedal which is absolutely like no other effects pedal that has ever been seen 20hz-20khz smashes and crashes and bashes to ashes breaking and twisting and twirling and sputtering Total Sonic Annihilation is for all of the noise makers, experimentationists, revolutionists, out there -not for the weak of heart ts808 it will make noises like vintage synthesizers, unique waveform generators +many many many more 563khz it sounds completely different depending on what effects pedals are used with it now each and every effect pedal that you own can breath new life! don't throw away your old pedals, try them with total sonic annihilation built by hand with only the best electronic components and only the most extreme care to ensure that each pedal lasts for years and years.

The Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out. It uses specially matched transistors turned backwards to get it's bombastic sound. The one knob controls extreme biasing of one of the transistors and the other controls intense filtering. Although this sounds simple the results are perplexing. The combination of allow a vast universe of fuzz | distortion | overdive | buzz | grind | bleeps | synth sounds | harmonies | and soundwave manipulation. The exact positions of the knobs yeild completely different sounds for endless great insane fuzz tones. Be forewarned, there is no volume control on this beast, it is only balls to the wall fuzz and does not clean up when the volume control on your guitar is turned down or anything foolish like that. This is rock and roll inspiration, and damn it feels good.