EarthQuaker Devices Black Eye Clean Boost Pedal

Welcome to the Rainbow Machine, in all it's synthetic glory! This one is for experimenters, adventurists and noisemakers. Totally not for purists and/or tone hounds, there are no "natural sounds" that will come from this box. It takes modern DSP and uses it as a tool of future past to create real time pitch shifting using digital oscillators. The sound is much different than most modern day pitch shifting devices. It was imagineered to be wild and out of control and slightly imperfect while still tracking up and down the guitar neck without glitching out. A cold digital beast made to pretend it has feelings. It will do basic polyphonic harmonies from a 4th down through a 3rd up and every atonal pitch in between. You may add in an accompanying octave to the harmony by bringing up the Secondary function control. You can take it way beyond and open up your third eye by bringing in the Magic. The Magic is the heart of the Rainbow Machine. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descend's, chaos chorusing, shrieks, pixie trails and wealth of other general mayhem inducing noises. The pitch can be controled by an external expression pedal for extra fun! The Rainbow Machine can be used on bass, keys, vocals or anything else you can dream up!

The Earthquaker Devices Disaster Transport Delay is an analog voiced digital delay with 625 ms of delay time, modulation, and old school tape sound. This is an anti-modern styled delay - nothing but vintage tone that you listened to all those years ago on vinyl. This delay is perfect for clean or dirty signals. The unique Tone control also works as a noise filter and lets your overdriven tones to shine through the mix without getting muddy. The Tone control allows you to remove common noise problems when hyper-extending the circuit - so give your signal more highs with shorter delay times. The Mix control lets you boost the effected signal to almost 4 times the original signal level, and selecting Modulation allows you to go from very subtle chorus-like pitch shifting to intense tremolo speeds. Use the Depth knob to set the depth of the modulation to the delay line, and the Rate knob to set the speed of the modulation. The Repeats knob allows you to from one single repeat to dizzying self-oscillation with some tweaking. With the modulations switch, you can turn on your modulation effects on the fly. Go from unaffected tape echo sounds to utterly wild modulation with just a stomp on the switch.

PLEASE CHECK OUT ROGUEGUITARSHOP.COM Enjoy our site and let us know if there is anything we can do to make your experience better. RogueGuitarShop.com Questions/Order/Comments 541.979.0080 Call for best price. Organizer Polyphonic Organ Emulator The Organizer is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique "Guitorgan". The organizer has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. It tracks all over the neck on both guitar and bass and will transpose single notes as well as chords. The Organizer uses a mix of analog and DSP circuitry with true bypass switching and an all analog direct (dry) signal path. The controls: Up: Level control for the octave up. Down: Level control for the octave down. Choir: This control takes a mix of the octave up and octave down setting and regenerates it. The end result is an additional 2 octaves up, 2 octaves down and direct signal with a slight delay that adds a "church organ" like feel. This control only works if the octave up and octave down are in use. Direct: Level control for the analog dry signal. Tone: Low pass filter for the wet signal, counter clockwise rolls off the high end. Lag: Delay control for the wet signal. Full counter clockwise is minimal delay, delay time increases as it rotates clockwise. Power A standard 9 volt DC power supply with a negative center 2.1mm barrel, current draw is 70ma. No battery option.

The Monarch Overdrive is an all discrete, FET based dirt machine. It's designed around the input stage of a vintage amp produced by a company that bears the same name as the color of the monarch (hint...). It's been configured to produce higher gains that sound very natural and free of ?compression. The treble and bass controls function as frequency boosters, not the traditional roll off filters in most OD's. They are located in the preamp section and have a large impact on the over all tone, nature and distortion characteristics of the pedal as well as your amp. It gives big bottom end with a snappy, bright top at all gain ranges with some careful tuning of the tone controls. And, yes, it's true bypass. Power Any regulated 9-18 volt DC power supply with a negative 2.1mm center barrel. Higher voltages will yield more headroom with a fatter and more focused tone and a wider gain range. Measures 4.37" X 2.37" X 1.07" Handmade with sweet loving care in Akron Ohio.

We have a new device all set to ship, the "Dispatch Master" delay & reverb! It was awarded the Editor's Pick at NAMM by Premier Guitar, write ups in NAMM coverage by Harmony Central, Guitar Player and What's That Dude Play and LOADS of direct interest after it hit the web. Needless to say, we are very excited for this release! Brief Description The Dispatch Master is a digital delay and reverb unit with an all analog direct signal path and true bypass switching. It is capable of producing nearly 2 seconds of delay time with near-infinite repeats with no oscillation and a cavernous reverb. Both effects can be run separately or in unison.

The Ghost Echo Reverb is designed to emulate a vintage reverb unit. It 's capable of providing a little atmosphere all the way through to vast depths. The attack control sets the delay of the initial pick attack on the wet signal only. When playing staccato this registers as a slap back type echo hitting the reverb but when playing fluid lines it adds a massive depth and "fattens" up the sound. The dwell control is a fine tune function that enhances the decay. At first it may seem like it's not there but back it off and you'll miss it. The depth controls the intensity of the reverb.

The EarthQuaker Devices Dirt Transmitter Pedal is designed for the fuzz pedal fan who wants it all. It features a dual transistor setup for the fuzz tone we all look for. Built with only the finest parts, the EarthQuaker Devices Dirt Transmitter Pedal is almost silent when in engaged and completely quiet when disengaged thanks for the true bypass switch. The EarthQuaker Devices Dirt Transmitter Pedal has an unbelievable range of tones lurking within it's industrial metal case. The key to the sound is the Bias control which controls the voltage being sent to the transistors. It allows the Dirt Transmitter to have a cool gated style fuzz when twisted counter clockwise and when turned back the other way the fuzz returns to normal. The transistors become properly biased at around 2 O'Clock. Add to that a Tone knob that is essentially a bass cut, and you begin to realize the power that is the EarthQuaker Devices Dirt Transmitter Pedal.

The EarthQuaker Devices Hummingbird II Pedal is, at heart, loosely based on the Vox Repeat Percussion pedal with modern touches any guitar player would appreciate like quieter operation, more controls to alter the tone and increased "chop" to the tremolo. Capable of producing square wave tremolo sounds with vintage synth style oscillation, the Hummingbird II is sonic treat for boutique pedal fans looking something completely original. With the EarthQuaker Devices Hummingbird II Pedal it is easy to get great sounds. You are in total control with knobs that include Depth (Amount of Volume Modulation), Rate (Speed of the Low Frequency Oscillation), Level and a Mode switch that expands the range of the Rate knob. The Depth and Level controls are new improvements that make this updated Hummingbird II a more versatile pedal. Capable of tremolo sounds ranging from subtle pulsing to full on rapid fire with octave effects similar to a ring modulator, the EarthQuaker Devices Hummingbird II Pedal is one of those effects that require the user to play with it and find a his sound. It's in there!

The Tone Reaper is a vintage style fuzz device based on the "3 knob" bender. It's a silicon/germanium hybrid capable of producing a wide range of tones from every bender era with careful tweaking of the tone and fuzz controls. From thin and spitty to thick growling sustain, it's all here.

The Disaster Transport Jr. is an analog voiced digital delay with 625ms delay time, all analog dry signal path and true bypass. It was designed as an anti-modern delay for those who appreciate a nice tape echo with all it's peculiarities. It's unique tone control doubles as a noise filter on longer delay settings and really helps the delay shine with a dirty signal. The mix control allows you to boost the effected signal to nearly 4x the original signal level and the repeats control goes from one signal repeat to near infinite repeats all the way through to self oscillation. Controls Mix- Sets the output level of the effected signal. This should be treated as a gain control/master volume for the delay line. Unity is around noon and everything above noon will boost the delayed signal louder than the original. This is a gain control so, like any pedal with a lot of gain, a hint of noise and distortion at max setting is completely normal. Tone- Most delay pedals are heavily filtered at the output to remove the clock noise and other unwanted hash that is common from extending the range of the delay time beyond the limit of the circuitry. This usually leaves the delay sounding dark, muddy and disappear when hitting it with dirt. The Disaster Transport has done away with a lot of the heavy filtering and replaced it with a tone control which allows the user to choose their desired sound and results in more natural tape-like repeats. This will remove all the common noise from hyper-extending the circuit. Time- From about 30ms fully counter clockwise to about 625ms fully clockwise. Repeats- Sets the regeneration of the delay line. From one single repeat fully counter clockwise, subtle repeats around 9 O'clock, strong naturally decaying repeats at noon, near infinite repeats around 2 O'clock and full on self oscillation fully clock- wise.